Sunday 3 February 2013

D.O.C.U.M.E.N.T.A.R.Y

Like '' WOW'' Documentary eyhhhhhh!!!!

So , We have to divide into groups to this project and yeah, it takes quite a long time to finish it and tell you what? WE DID finish it. This documentary is all about the life & context of an artist/musician/singer/designer and etc.  It was really hard to find someone or a group of people and either they do not have all the knowledge to know everything about their work. But, in the end we finally found three people we could interview with. I had so many people in mind and i never give up trying . Well, lets enjoy the journey of DOCUMENTARY now yeah? 

First up, a while a go, our class had a trip to ''URBANSCAPES''.  I heard a lot about '' URBANSCAPES'' & this was my first time going there. Urbanscapes is the first and only all-day ‘user-generated’ creative arts festival in the Klang Valley. As a mission statement, Urbanscapes aims to pull together communities and participants from the fields of music, the arts, design, film and other creative disciplines under a single banner to showcase the best of the local scene and beyond. The music spread is an awesome one with today’s line-up headlined by singer-songwriter Yuna. Other highlights on stage today include Tenderfist, Narmi, Love Me Butch, Narmi, Charlie Lim, Guba, Love/Comes, Enterprise, Darren Ashley, Salammusik, Pastel Lite, Dangerdisko and loads more.


The rest of the day’s stage activities will be filled up by The Trees and The Wild, Mini Compo, LapSap, OJ Law, Impatient Sisters, Twilight Actiongirl, Francis Wolf, Free Deserters, Muck, Sphere and more.


SOO, we ended up interviewing '' TWILIGHT ACTION GIRL'' as i mentioned it above. It came to a surprise that they actually spin at my favourite club ; BARSONIC @ ZOUK. One of the main DJ in the group is Calvin.  Most of the song he plays are indie songs and some jazz here and there. They were so cool and so hippie i must say. They accommodate with us really well and it was not that '' awkward''. As a DJ he compiles his favourites and plays it to the public. After everything, we had this feeling that it wasn't good enough so, we tried again with another person. 
Next up, 

'' HEBE''


The owner of HEBE owns  an accessory shop at the underground bridge connecting The Curve to Ikano Power Centre. Her name is Vivian , btw. Basically, she creates and designs her own accessories such as hairband,  earrings and all the girly stuff!  She was kinda shy , but she tried her very best to  demonstrated on how to make a brooch with zips, needle and thread. Even there is a bit of communication problem because she is KOREAN. But hey, everything went quite smoothly. Crafting was her hobby since young, but because of her talent, the public responded to her products so she expanded her business.

'' YENJI CLAY ''





YENJI CLAY is situated at the highest floor @ IKANO POWER CENTRE. Yenji clay owns a clay shop and also conducts classes to his students to achieve their dreams in their area of interests. Mr. Chris was so kind to bring us around and showed us his talented clays done by his students. Every student had their own specific uniqueness and talent. Everything that they did was so real, significant, and perfect. It is a tough job but they liked it. 

SOOOO, Mr charles said that this wasn't a proper interview. There were no contextual behind it. After all the editing and hard work we put in, it was inappropriate for our documentary. Everything went wrong, but we learn from our mistakes dont we ? 

Moving on, after thoroughly finding numbers of famous artists , they weren't free and was too caught up with things. In the end, we found an OIL PAINTER ARTIST from an award art academy '' CLAZ'ROOM''.

*tadaaaaaaaaa*




To cut the long story short, we wanted to interview Jin, but Jin told us to interview his colleuge  ''NING''because she knew a lot about the history of oil painting , the background and the meaning behind it. & she was gladly and delightful to help us! 

Let me tell you more about '' CLAZ'ROOM''

The Claz’room Academy of Media Art is one of the most recently established art schools in Malaysia. Located at the vibrant and rapidly developing township of Damansara Perdana, Claz’room Academy of Media offers a wide range of courses in the arts for people from all walks of life who would like to learn the basics to advance techniques in art.
The Claz’room Academy of Media Art is specifically catered to young adults as well as those who are working as they provide full and part time course and short courses too. The academy provides the best state-of-the-art facilities and premises that offers a conducive environment for the students to fully focus on the learning process.

Ning her partner Jin, runs the business. Ning is currently in her early 20's and she's one of the people who established 'Claz'room' to hone the skills of those artists out there who need training. Ning  began to pursue this career at the young age of 16. After getting inspired by her seniors and her teachers were encouraging her to pursue her hobby towards oil painting, and she finally found her dreams. I am so amaze with her effort and hard work that she put throughout her life and she never stops chasing her dreams. 

To know more about her and her business , lets watch the interview shall we? :)





enjoy! xoxo

Friday 1 February 2013

ALL ABOUT BATIK ;






Batik is a cloth that is traditionally made using a manual was resist dyeing technique.
Javanese traditional batik has notable meanings rooted to the Javanese conceptualization of the universe. Traditional colours include indigo, dark brown, and white, which represent the three major Hindu gods. This is related to the fact that natural dyes are most commonly available in indigo and brown. Certain patterns can only be worn by nobility, traditionally, wider stripes or wavy lines of greater width indicated higher rank. Consequently, during Javanese ceremonies, one could determine the royal lineage of a person by the cloth he or she was wearing.
Other regions of Indonesia have their own unique patterns that normally take themes from everyday lives, incorporating patterns such as flowers, nature, animals, folklore or people. The colours of ''pesisir' batik, from the coastal cities of northern Java, is especially vibrant, and it absorbs influence from the Javanese, Arab, Chinese and Dutch cultures. In the colonial times pesisir batik was a favourite of the Peranakan Chinese, Dutch and Eurasians. 

HISTORY ;

Batik's true origin is still a mystery. The word 'batik' has been translated to mean 'to dot'. Some translated it as 'wax writing' or 'drawing with a broken line'.
It is a very old form of art, as evidence of early batik has been found in the Middle East, Egypt, Peru, Japan, East Turkistan, Europe, as well as Central Asia (India and China) as far back as 2000 years ago. Despite its uncertain origins, batik has reached its highest artistic expression in South East Asia, particularly in Indonesia and Malaysia.
Batik was first introduced to Europe in the 17th century when the Dutch, who colonized Java, Indonesia, introduced this art form to that part of the world.


WHAT MAKE BATIK SO UNIQUE ?




Batik is a crafted fabric that needs to undergo the delicate and repeated process of waxing, dyeing and boiling.
Wax is used as a mean of color blocking in the coloring process. Every part of the fabric that remains untouched by a certain color has to be covered with wax. There are also several sub-processes like preparing the cloth, tracing the designs, stretching the cloth on the frame, waxing the area of the cloth that does not need dyeing, preparing the dye, dipping the cloth in dye, boiling the cloth to remove wax and washing the cloth in soap.
The more colors a batik fabric has, the more times it has been through the process of applying wax, dyeing, and drying, then removing the wax. The process has to happen in a precise order that will produce the pattern or figures that are desired. Additionally, the order of which colors to apply also has to be followed.
Batik cloth can be made into garments, paintings, scarves, bags, table-cloths, bedspreads, curtains, and other decorative items.
Traditional batik is synonymous with silk or cotton. The re-introduction of natural dyes and technique has expanded the scope to include unexpected fabrics like chiffon, velvet, georgette, cheesecloth and voile mostly for fashion apparel. As for batik painting, the most commonly used fabrics are cotton and silk.


BATIK PRODUCTION TECHNIQUES  ;









Even tourists also experience technique's of BATIK.















It can generally be divided into 3 types:


a) Canting (tjanting or tulis)

It involves outlining the designs using a canting, a metal pen tool filled with hot wax. Colors are then painted on the cloth and the process of the waxing, dyeing and boiling will be followed till the desired result is obtained. The process can take up to weeks depending on the intricacy of the pattern, which is why hand painted batik is so highly valued.

b) Cap (block printing)

It involves the application of wax directly onto the cloth using soldered tin or copper
strips block impressed with certain designs. The block, or "chop", is placed into hot wax and then hand stamped onto the fabric. When the wax is dry the fabric is dyed. Then the wax is removed and the pattern is visible.

c) Silk screening (screen printing)

Different screens are used according to the colors and patterns desired. The wax is applied onto the cloth using these screens. This printing method is usually used in the mass production of batik for commercial use.


After all the explanation of the BATIK, now I would like to explain MALAYSIAN BATIK. 

Malaysian Batik is BATIK textile art of Malaysia, especially on the east coast of Malaysia. The most popular motifs are leaves and flowers. Malaysian batik depicting humans or animals are rare because Islam norms forbid animal images as decoration. However, the butterfly theme is a common exception. The Malaysian batik is also famous for its geometrical designs, such as spirals. The method of Malaysian batik making is also quite different from those of Indonesian Javanese batik, the pattern is larger and simpler, it seldom or never uses canting to create intricate patterns and rely heavily on brush painting method to apply colours on fabrics. The colours also tend to be lighter and more vibrant than deep coloured Javanese batik.







SOOOO, here is my BATIK that i did during our trip to the BATIK SHOP with my lecturers and fellow classmates! It was one good experience. I always wanted to learn the technique of BATIK and thankfully, i did :) I thought it was going to be complicating, but it was not surprisingly. It was so easy to learn yet FUN!


This is my final piece.

I decided to do a simple flower to represent the flora and fauna of MALAYSIA. Since it was a Malaysian Batik, the word '' FLOWER'' just hit right to my head. 

Hope u like it! Even though '' i was in a rush condition'.